CONTENTS
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Author Interview
These questions were collected from a number of
sources to better express the author's point of view.
Last update:
07/14/06 12:34:20 PM.
Visitors: 
In October, 1999, your third novel Choosing To
Kill was released. How did you get started writing?
My undergraduate degree is in City and Regional
Planning. Later, I did graduate work in Cybernetic Systems.
Those programs gave me a broad enough view of the world to stimulate
deeper questions that I've pondered over the years. Eventually, in
1994, I decided to explore them through fiction because of the unlimited
possibilities it offered.
What do you see in this broader view of the world?
I visualize the world as a set of interconnected,
often highly complex systems with each level serving a specific function
in helping the world work as it does. Without getting into a lengthy
discussion of systems theory, let me just say that such a view helps me
make decisions about prioritizing the important things in my life.
And this insight comes from that broader
perspective?
Yes. The world works like a machine, but it's
much more than that and it will continue in spite of what I do.
Having said that, I have the option to participate with it or not.
Every moment of my life involves a choice. The result of those choices is
a measure of either success or failure and I can either make decisions
that serve my best interest or let things slide. If I do nothing, I
get the default result the world offers, usually much less than I would
want.
How does this connect with your deeper questions?
The toughest question for me involves how what's
inside of us fits into the world around us. Again, this is a larger
question than we might want to deal with today, but it offers the belief
that there will be no influential institutions in any society without
dedicated people to support them. This brings us to my writing.
It is about people and the institutions that own them.
What do you mean by that?
My writing is replete with examples of characters
who are influenced by powerful organizations, even long after their
association has ended.
And you think that's the same as owning them?
Sure. When it shapes and influences people for
the rest of their life, it's essentially the same.
How did this philosophy bring you to writing?
My friends were intrigued by what I said and wanted
more, but for me it sounded preachy. To continue sharing by beliefs,
I decided to give them to my fictional characters. Then I would be
able to communicate the kind of world I envision.
The main character in The Dying Game trilogy is Doug
Carlson. Have you done that with him?
Yes. He represents an average man, very much
like myself. As a young man, he went off to war much too early and
soon killed for his country without really knowing why. Years later,
when the trilogy begins, he has remained a law-abiding person, but now he
is again faced with killing. That's the underlying thesis of the
trilogy.
A very provocative question, why do you believe
law-abiding people kill?
I sort of knew it all along, but after reviewing
national crime statistics to determine why people commit murder, I was not
surprised by the results. 51.6% of the murders committed in 1996
were by people who were clearly law-abiding at the time of the killing.
Depending on how one reads the data, a person might further conclude that
the number was as high as 80.5%, since only 19.5% of the total murders
were later classified by the police as felonies.
To review the actual
statistics,
click here.
Are you relying solely on those statistics to
support your claim?
No. While the crime data supports the thesis,
I asked several thousand people that same question as I traveled around
the country on a book-tour in the fall of 1998. Most did not bat an
eye before responding that they would kill in certain circumstances.
Those who hesitated responded with qualifications such as "Unfortunately,
yes," or "Sadly, I'd kill too." I was surprised that no one actually
disagreed with the thesis.
In what situations did people say they would kill?
Most, who were parents, said they would definitely
kill to protect their children. In one sense or another, all said
they would kill for their own survival or to save the life of a loved one.
How is this issue handled in your trilogy?
While there are many other reasons to kill, the
trilogy begins with the one that most people understand intuitively,
survival. Because Doug is being pursued by a faction of the Mafia,
he must kill in order to stay alive. Quickly, he begins to
experience flashbacks to his battle days in Vietnam. Those scenes
enhance his character with images of "been there, done that" and add a
necessary perspective to his deeper feelings about killing. Later,
he kills for revenge and then in the third part of the trilogy to serve
justice when he believes the legal system has failed to do its job.
Do your novels leave us feeling that this kind of
killing is justified?
That's a tough question, but I hope not. While
Doug seems to be swept away by the killing and maybe it gets easier for
him, he faces an internal struggle that grows throughout the trilogy.
By the end I believe it will be clear that he is paying a heavy personal
price for his choosing to kill.
With a fourth book scheduled in the series, will
killing still be an issue?
Yes. It will develop the thesis even further
and I expect Fool Me Twice to be my most powerful piece of fiction
so far.
Back in the trilogy, does the reader get a close
look at the motives when other characters kill?
Absolutely. I sought to also tell a realistic
story from their point of view. Readers will see how power, control,
greed and petty arrogance turns people into unfeeling killers.
Your main character is a former Marine. Is
there any significance in placing him opposite another very powerful
organization, the Mafia?
That's a very clever observation. The Marine
Corps and the Mafia are both equally powerful in their own ways.
Each organization has a code that drives them in different directions and
each promotes itself with pride, loyalty and honor. One might argue
they are opposite sides of a two-edged sword, indicating that qualities
like pride, loyalty and honor are too easily corrupted.
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